Prophecy PDF Print E-mail
Written by Editor   
Wednesday, 30 April 2008

A Virtual Book Review Network exclusive...

Interview with Paul Mark Tag, author of Prophecy

 

 

 

  

 

Book Summary: Shortly before the great Johnstown, Pennsylvania, flood of 1889, a 19-year-old girl enters a church and places an envelope inside a bottle and into a safe. Minutes later, a wall of water engulfs the town and kills over 2200 people. What happens 120 years later when the bottle is discovered—and its contents become ensnared in a worldwide quest for rare genetic material—is the intriguing story behind Prophecy by Paul Mark Tag.

 

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Prophecy
In 2009, that safe is unearthed, and with it, the letter, which reveals that the author knew of the impending flood. Meanwhile, laboratory experiments in Russia could prove to be the scientific discovery of the ages, as researchers uncover a rare genetic mutation that could scientifically explain the clairvoyant powers exhibited by prophets of old.

At the epicenter of the ensuing maelstrom, Dr. Victor Mark Silverstein, the Naval Research Laboratory's preeminent scientist, and his loyal assistant tangle with greedy U.S. senators, the CIA, and a Middle Eastern organization for verification and control of the "prophecy gene." The hunt begins for a present-day carrier who could confirm the gene's potential and prompt development of a synthetic replacement. At stake is theological chaos for the world's religions—and the power to control the planet.

About the Author: Until he retired in 2001 to write fiction full-time, Paul Mark Tag’s work revolved around meteorology and his career with the Naval Research Laboratory. Prophecy is his second novel, following his thriller, Category 5. Tag lives in Monterey, California, with his wife, Becky.  Please visit the author at www.paulmarktag.com

LAUREN SMITH: What inspired you to start writing fiction? 

Paul Mark Tag:  First, Lauren, I’d like to thank you for this opportunity to discuss my book. 

To answer your question, since I was a child, I’ve loved to live in the world of make-believe. One of my first memories is of my mother yelling to me outside, around the corner of the house, asking me to whom I was talking. Of course, I was talking to one of my make-believe friends. I think that my reply was “Nobody.” Later in school, I wrote stories and poetry. 

Fast forward to adulthood, and I found myself going to Penn State, majoring in meteorology. My education there transitioned into my career with the Navy as a research scientist. I sometimes wonder, if I had to do it all over again, if I should have gone into writing from the start. I’ve decided that the truth is two-fold. First, I would have starved to death starting out. Second, importantly, I later realized that I didn’t have enough life experiences or the maturity to write (fiction) then. But when I reached the age when I could retire from the federal government, I jumped at the chance to tackle fiction writing head-on.

Last Updated ( Wednesday, 30 April 2008 )
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Fables from the Mud PDF Print E-mail
Written by Editor   
Friday, 01 February 2008

A Virtual Book Review Network exclusive...

Interview with Erik Quisling

 

 

 

 

 

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Fables from the Mud
Lauren Smith: What inspired you to create a work of fiction? 

Erik Quisling:  I initially came up with the idea for Fables from the Mud shortly after I graduated college.  In the course of my soul searching and trying to figure out my place in the world, I was struck with the idea of a clam who was trying to do the exact same thing. For some reason it struck me as extremely amusing.  This is how The Angry Clam, the first fable in my book, was born. 

Lauren Smith: Do you see Fables From the Mud as a satire, cultural commentary or something more? 

Erik Quisling:  Fables From The Mud is about three little creatures – a clam, an ant, and a worm – all of whom are struggling with very human problems.  The stories are satirical but in many ways are simply a cultural commentary on the human obsession with finding meaning in the world.  All in all, they are designed to be amusing and to get you to see somewhat the absurdity of taking life too seriously. 

Lauren Smith: How did you develop each of the fables? 

Erik Quisling:  Each fable was born from its own separate bout of inspiration. In each case, it was a single line of text that came to me that was like lighting a fuse that set the story on its course.  Once the fuse was lit, the stories pretty much wrote themselves – I simply had to go back and edit them a little bit. 

Lauren Smith: Are any of the characters based on anyone – or any type of person - you know? 

Erik Quisling:  I can say that the more I read the stories, the more I learn about myself.  But I truly think each character is a reflection of some deeply common human experience – not of any human in particular.

Last Updated ( Monday, 14 April 2008 )
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Alex Webster and the Gods PDF Print E-mail
Written by Webmaster   
Friday, 02 November 2007

 

A Virtual Book Review Network exclusive...

Interview with David Dent,

author of Alex Webster and the Gods

 

 

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David Dent
VBRN: What inspired you to create a work of science fiction? 

David Dent: Science fiction and fantasy have always been obsessed with the nature of godhood. The idea came to me in 2002 after reading an article in the Atlantic Monthly on the explosion of new religious movements. The article noted that there were about 10,000 religions competing for our souls and that some sociologists use the idea of a religious economy or spiritual marketplace to explain what helps a religion succeed in gaining followers. One could say that Darwinism had its start in the heavens. Because the capitalist marketplace is the dominant metaphor, if not mythology, of our age, I thought it would be interesting to examine a world where gods are the producers of religious services, competing to meet the demands of humans.  

VBRN: How did you arrive at the idea of Yahweh as the first capitalist? 

David Dent: About the same time that I was considering ideas for my book, I was also taking a course in world religions. During one class the professor asked about the nature of god as presented in the Old Testament. Rather than responding from a theological perspective, I considered it from a modern reading of the Bible, asking, What kind of business leader was Yahweh? This was not by chance because my career at that point dealt with issues of corporate governance and management.  Interestingly, I found that one can argue Yahweh’s management style evolves from an entrepreneurial, hands-on deity to a maturing manager who, overtime, introduces more sophisticated management and control methods to achieve his goals. The cause for these changes is that Yahweh, like any good manager, learns from experience. His evolution is similar to that of many entrepreneurs who create new ventures and navigate them to successful organizations. In Yahweh’s case, his brand dominates the religion market, with Christianity taking about a 32 percent share worldwide. In other words, Yahweh’s story is not unlike that of Bill Gates or Henry Ford, evolving from a temperamental, even eccentric, entrepreneur to the avuncular, but distant, Chairman of the Board. And the idea tied in beautifully with the notion of a religious market. Arguably, Yahweh is the world’s first and oldest capitalist and, to this point, most successful. 

VBRN: How did you decide on Jupiter as the old god looking for a comeback? 

David Dent: Jupiter was the obvious counterpoint to Yahweh. Two thousand years ago, Jupiter was the supreme god of the Roman Empire, worshipped as Mr. Optimus Maximus. In other words Jupiter was where Yahweh is today, the ceremonial divinity of the world’s greatest empire. So if Yahweh is the grand winner of the religious marketplace, Jupiter was the corresponding loser. In the end, the Roman people humiliated him. Emperor Theodosius I, who was a supporter of orthodox Christianity, officially banned the practice of the old Roman pagan religion in about 389CE.  In a full meeting of the Roman Senate he posed the question of whether the worship of Jupiter or that of Christ should be the religion of the Romans. The outcome was decisive.  Most of the Roman Senate condemned and degraded Jupiter. It was an impeachment of Divine  proportions. So Jupiter slipped away, banished by the people who had once worshipped him. He has nursed his wounds and tried to forget for almost two thousand years. Until now.

Last Updated ( Friday, 02 November 2007 )
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Book Videos PDF Print E-mail
Written by Webmaster   
Tuesday, 11 September 2007
Penny Sansevieri: Hello and welcome to another addition of powerful book promotion made easy.  This is Penny Sansevieri with Author Marketing Expert and Jennifer Thompson of Monkey C Media.  Hey Jennifer good to talk to you again.

Jennifer Thompson:  Thanks so much it’s nice to be here.

Penny Sansevieri:Listen I just got done doing a class in Colorado and we were talking about video and people had so many questions about Book Video.  Book Video is becoming so insanely popular.  Do you see that too?

Jennifer Thompson:  Oh absolutely and the neat thing about it is right now there is very few people doing it so it’s a really good time to jump in and have a book video to help your promotion.

Penny Sansevieri: Yeah exactly, exactly.  You know the Book Video and you and I talked about this too one of the misnomers I think of Book Video is people want to actually turn their book into a mini movie which is really wrong.  I mean how long – now you guys do Book Videos?

Jennifer Thompson: Yeah we’ve been calling them Book Teaser Videos because really you should be teasing your book.  You should be giving people a taste of what you have to offer but you don’t really want to tell the whole story.  I’ve seem Book Teasers that are five minutes long and I think people lose their audience.  We recommend that authors keep their teasers to 30 seconds to a minute long no longer than a minute.  People just don’t have the attention span and if people don’t make it to the end of the teaser where you offer the URL where people can buy your book then of course you’ve missed the whole point.

Penny Sansevieri:Yeah exactly, exactly.  You know the other point of a teaser is to draw someone in so one of the things – I was reading this article the other day and it talked about how there is a company out there letting authors read their books and I don’t know about you but I don’t really think that that’s a good thing.  I mean you have to be – you have to be very careful with that because you have to be a very engaging speaker in my view.  Wouldn’t you say so?

Jennifer Thompson: Absolutely, absolutely.  I recommend having a professional voice over talent if you’re going to have voice at all on your video.

Penny Sansevieri:Yeah, because we you know when we did Camelwood Lake which is all – you can go to redhotinternetpublicity.com and see some of the videos that we are going to talk about today.  When we did Camelwood Lake we had no – we had no voiceover it was all music and that one – that one I know I did intentionally long because as you know experimenting with this time to see how quickly we could engage people in the message and you’re right we found that people would click off of it and click to the Camelwood website usually after 30 seconds.  You know they got the message, they got sort of the idea – the jest of the book and now they wanted to know more you know it got them sort of engaged with it.  But we’ve also done one because you guys did one for a book that we were working on where there was voiceover and it was just darling.

Jennifer Thompson: Yeah Accidentally Engaged.

Penny Sansevieri:Yeah Accidentally Engaged it was really, really cute.  You know videos that are just like wildfire gone across the globe and one of the reasons that I think that a Book Video would do with you well is that really pulls in the emotional trigger of the audience.

Jennifer Thompson: I have a question for you Penny.

Penny Sansevieri:Yeah?

Jennifer Thompson: A lot of people want to use video.  What do you think of using video on a trailer to grab your audience?

Penny Sansevieri:Well I mean I think it’s good.  I mean I think it’s good as long as it’s appropriate to the subject.  I have no problem using actual video I mean it’s got to be appropriate to the topic.  It’s really not and I got to tell you I mean I don’t know how you feel about this but it’s really not about what you do it’s about the emotional triggers that you are trying to get to with your audience.  You know, use video when video is appropriate.  Now we used video for Camelwood Lake – you guys didn’t use it for Accidentally Engaged but both were very suited to the market.  You know Accidentally Engaged was a cute quirky romance novel.  But you know this long winding elaborate video wouldn’t really work with it.  With the audience.

Jennifer Thompson:  I think the reason that the video worked so well for Camelwood Lake is because it was an excerpt and it did it created that emotional trigger you know the little girl that was being pushed on the swing and it was in the park and they were having a good time and you got this feeling the essence of what the book had to offer about the family.  But it didn’t tell a story and I think that is where authors make a mistake because they try and tell the story of their characters through an entire acting segment and that’s when people run into trouble.  Because if it’s not great acting and if it’s not directed or produced you know in a manner that we’re used to seeing coming out of Hollywood then I think we lose our audience because it becomes hokey and kind of cheesy.

Penny Sansevieri: Well you know you’re absolutely right.  I think that and I think that a lot of authors approach this far more complicated than they really need to.  You know you put together a teaser just like you put together an elevator pitch you know I mean we talk about elevator pitches so what’s that one to two second thing that you’re going to say to engage someone.  Your Book Video is the same sort of thing.  It’s what you’re really doing is you are saying is you’re hooking them into your message and by trying to tell the entire story and in particular try and tell the entire story in 30 seconds I mean this is not going to work.

Jennifer Thompson:Yeah.

Penny Sansevieri:  You know you want to tell enough of it to really engage them.  So how complicated is it?  I mean how complicated is it really for an author to have you guys let’s say for example put together a video?  I mean let’s talk time wise.  How long would it take?  Is it terribly expensive?

Jennifer Thompson:  Well a Book Teaser ranges in price and our base line is $2,000.00 and what that gives people is obviously the programming time.  We create the video in flash so it can be as little as 214k as opposed to a 9 megabyte file so it loads very quickly and it will also load on our platform which is very important.  So with the base price gets people is the music and we score all our music.  It’s all rights free.  We actually create it right here.  We ask our authors what genre of music would you like to have on your video?  What kind of style would you like and then we create that.  

Penny Sansevieri:  In fact when we did Accidentally Engaged we threw in kind of a Peter and the Wolf feeling.  As the tension started to grow with the trailer we added in extra musical instruments just like they did with Peter and the Wolf.  You know people didn’t realize it was happening but it was creating this feeling.  So the music is very important and of course it has to be rights free.  You can’t use your favorite song that is playing on the radio every week or you will get sued.  People want to be careful of that and people don’t realize that that is something they have to think about.  Now the other thing is we throw in the still images.  We did some animation.  The cover of Accidentally Engaged has a dog carrying a ring in it’s mouth.  So we have the dog walk across the screen, drop the ring and then walk off the screen.  

Jennifer Thompson:  So that was included the animation.  We also added voiceover to that particular video and we wrote the script.  So what I usually ask an author to do is write a script for us and then I help them massage it and really make it shine.  But once I have something to work with that’s a base line then we can really you know draw the characters and decide what we’re going to do with the video.  The voiceover is extra money because we have to pay for the talent of course and we record it here in our office professionally.  We have recording equipment so it sounds topnotch.  So when it’s all said and done that video was about $3,000.00.

Penny Sansevieri:  Yeah.

Jennifer Thompson:  We also have to find images so I encourage authors to bring me rights free images or royalty free images.

Penny Sansevieri:  Yeah exactly.  Well and I think to some extent having them help you on the script is really good because I got to tell you even from my own book trailer – book video you know you’re just too close to it.  You’re too close to it to be objective.

Jennifer Thompson:  Yeah true.

Penny Sansevieri: I will tell you in one of the things that I want to mention is that next week we’re going to talk about promoting video.  Video is – we find is just some of the hottest – it is so hot right now to use video to promote your book.  It doesn’t have to be complicated.  When you think about all of the ways and all of the things that you can do to promote your book and those fiction authors out there who say oh I have no way to market my book and I’ve heard this for years and especially being a fiction author.  I’ll tell you something look into doing a book video.  I mean it’s really, really powerful.

Jennifer Thompson:  Yeah and like we said there’s not really very many people doing it right now so now is a great time to get into a market that isn’t so dense with so much competition.

Penny Sansevieri: Yeah, absolutely.  You know and I say this to authors and we talked about this when I was at the Colorado conference too not everybody is going to want to hire somebody to do a video and that’s okay.  But here’s the thing you know it’s sort of like your website.  It’s sort of like your business card.  Make it professional you know don’t use Powerpoint which Powerpoint I’m sorry but Powerpoint can do a lot these days.  It’s amazing what you can do now with Powerpoint you can make things fly in and out but you know what?  These types of things they all become your resumes so take the time to do something that you really are proud of because you never know who is going to see it especially when you start to circulate it online and we’ll talk about some of that stuff next week.

Jennifer Thompson:  Absolutely.

Penny Sansevieri: Jennifer, it was great chatting with you again today.  Thank you so much for your time.

Jennifer Thompson:  My pleasure.

Penny Sansevieri:Jennifer with Monkey C Media – that’s the letter “c” --monkeycmedia.com and Penny Sansevieri from Author Marketing Experts – amarketingexperts.com and if you want to take a look at those videos that we were talking about today head on over to redhotinternetpublicity.com.  Click on your book should be on video and you’ll get to take a look at some of the trailers and we’d love your feedback on that.  Till next time, Jennifer thanks again.

Jennifer Thompson:  Thank you so much.

Penny Sansevieri: Bye, bye.

Jennifer Thompson:Bye, bye.
 
The Writer Within You PDF Print E-mail
Written by Editor   
Tuesday, 11 September 2007

THE WRITER WITHIN YOU

A Step-by-Step Guide to Writing and

Publishing in Your Retirement Years

By Charles Jacobs

 

Lauren Smith:  Why did you write this book? 

Charles Jacobs:  Whenever I speak to groups on subjects related to writing and publishing, members of the audience, particularly older folks, approach me and state enthusiastically, “I’ve been dying to write this book for years. It’s a fabulous story.” A moment later I hear their forlorn admission, “But I don’t know how to do it. I need help.” They long for easy-to- understand instruction in a single volume to get them started.  Convinced there was a great need for this type of book, I surveyed their specific wants, and used those findings to craft The Writer Within You

Lauren Smith:  Why do you think it’s important that people write and/or tell their stories? 

Charles Jacobs:  Years of life experiences help a person fashion his/her unique view on living. Many want to pass this on to loved ones and friends by writing a memoir. Others prefer to build their outlook into a character of a novel or short story. Some express their individual interests by writing a how-to. Many retirees try to remain active in their chosen careers by writing for trade publications or freelancing in related businesses. 

Lauren Smith:   Do you see more people interested in telling their stories?

 

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